The Shadow of a Great Rock: A Literary Appreciation of the King James Bible

The Shadow of a Great Rock: A Literary Appreciation of the King James Bible

The Shadow of a Great Rock A Literary Appreciation of the King James Bible The King James Bible stands at the sublime summit of literature in English sharing the honor only with Shakespeare Harold Bloom contends in the opening pages of this illuminating literary tour Disti

  • Title: The Shadow of a Great Rock: A Literary Appreciation of the King James Bible
  • Author: Harold Bloom
  • ISBN: 9780300166835
  • Page: 169
  • Format: Hardcover
  • The King James Bible stands at the sublime summit of literature in English, sharing the honor only with Shakespeare, Harold Bloom contends in the opening pages of this illuminating literary tour Distilling the insights acquired from a significant portion of his career as a brilliant critic and teacher, he offers readers at last the book he has been writing all my longThe King James Bible stands at the sublime summit of literature in English, sharing the honor only with Shakespeare, Harold Bloom contends in the opening pages of this illuminating literary tour Distilling the insights acquired from a significant portion of his career as a brilliant critic and teacher, he offers readers at last the book he has been writing all my long life, a magisterial and intimately perceptive reading of the King James Bible as a literary masterpiece.Bloom calls it an inexplicable wonder that a rather undistinguished group of writers could bring forth such a magnificent work of literature, and he credits William Tyndale as their fountainhead Reading the King James Bible alongside Tyndale s Bible, the Geneva Bible, and the original Hebrew and Greek texts, Bloom highlights how the translators and editors improved upon or, in some cases, diminished the earlier versions He invites readers to hear the baroque inventiveness in such sublime books as the Song of Songs, Ecclesiastes, and Job, and alerts us to the echoes of the King James Bible in works from the Romantic period to the present day Throughout, Bloom makes an impassioned and convincing case for reading the King James Bible as literature, free from dogma and with an appreciation of its enduring aesthetic value.

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    To say that I didn’t pay attention in Catholic Sunday school would be a severe understatement. Like most suburban boys I left the church around middle school, when a trip to see a James Bond movie with a girl was the alternative.Only now at 27 do the cadences of the King James Bible lure me on, and only then did I become interested after those sounds were filtered through other sources: Daniel Day Lewis in Gangs of New York, Terrence Malick’s version of the Book of Job (Tree of Life). Lastly [...]

    In a statement delivered to the Millennial Gathering of the Writers of the New South, poet, prose writer, and editor Dave Smith spoke on the sound of Southern speech. He averred that it was single and singular: The way we sound the sound tells all the answers, evokes all the old mysteries, including the recognition that we are deeply and intuitively related, are in fact one thing." Furthermore, just like the King James Bible, to which he pointed as underlying that sound, Smith easily transcends [...]

    As a Christian English major I was highly excited to see that some level of study has been carried out analysing the Bible as literature. Alas, Bloom's superfluous commentary has minimal traction with the text and the literary analysis is neither comprehensive nor profound. Furthermore, I was mildly irritated by Bloom's comparison between Christians and people who live with Shakespeare as their god and other such unnecessary slights; to some extent such subjective and biased comments mitigated t [...]

    Uh, Bloom is an incredibly well-read scholar and literary mentor to me, but he's also kind of a brat — where he's analyzing what he wants to (Genesis, Prophets, Songs) he's brilliant and it's hard to keep up with him, but in much of the New Testament he merely glosses over the writings with palpable distaste. I too am Jewish and have a detest for Paul, but that does not mean I would refuse to see Paul's literary genius, etc. In short: piercing in some places, lacking in others. Tantalizing but [...]

    A curious and scintillating analysis of religious text as literary work. Bloom says he's spent his whole life working on this book, and one can feel that here, comparing previous versions, and the original Hebrew, and making comparisons to other great masterworks.A slim volume, but one dense with insights.

    It was the best of books. It was the worst of books. The intro and section on the Old Testament were terrific and a brilliant literary commentary. The section on the New Testament was mostly a theological diatribe with scant mention of a literary values. Recommend skipping that portion of the work.

    My guru writes a lovely appreciation of the beauty, majesty and power of the King James Bible. Not the dogma, the language. It's not a religious book, but his enthusiasm it may have you cracking the covers of the KJB anyway.

    Harold Bloom doing close readings of the King James, Tyndale, and the Geneva. As good as it gets.

    My admiration for Harold Bloom began years ago as I was writing my undergraduate thesis at UNC-Asheville. The essay itself was pathetic, but the literary criticism I found was remarkable. Bloom is poised at the pinnacle of Shakespearean research. His understanding of Elizabethan and Jacobean language is superlative to any other scholar (in my opinion), and when I first saw this particular book, I was dubious about the quality: would it shine and resonate like his critical work of Shakespeare. Th [...]

    I was a little disappointed as the author didn't really dig to deep in his literary appreciation. He just presented quotations of passages and seemed to give a brief praise and move on. It was too scant on the aesthetic and structural analysis to back up his appreciation for me.

    “He hath shewed thee, O man, what is good; and what doth the LORD require of thee, but to do justly, and to love mercy, and to walk humbly with thy God?” - Micah 6:8

    I started this book with high hopes. While I don't believe the Bible to be historically or ontologically true, I do appreciate its literary qualities and the impact that it's had on Western civilization. Harold Bloom approaches the Bible from this perspectiveke a wine connoisseur or an art critic. But--like a wine connoisseur or an art critic--he has the tendency to get very flowery and obscure in his language: name-dropping and making single-word references to classical literary works or author [...]

    Despise the anxieties of some Christians who bristle at the notion of Bloom, a self-described Gnostic Jew, conducting an "appreciation" of the King James Bible, this book succeeds at being an unbiased admiration of a central Western literary text. Bloom's readings, which sometimes comprise comparative readings of three or four different versions of the religious texts at once, never fail to provide enlightenment and insight into the aesthetic and rhetorical prowess of these Protestant scriptures [...]

    “And a man shall be as a hiding place from the wind, and a covert from the tempest; as rivers of water in a dry place, as the shadow of a great rock in a weary land,” Isiah Chapter 32: 2.Harold Bloom takes the title of Shadow of a Great Rock from this specific Old Testament verse. This book works best when it analyzes specific segments of the Bible as literature. For some reason, he wants to incorporate passages from two other versions of the bible; which are William Tyndale’s translation [...]

    Confession: I only made it through the introduction, which I happened to find fascinating and full of promise for the rest of the book. Then the slim volume sat on my bedside tabled satd sat. Last night I picked it up and plunged into Chapter One, only to hit the following structure: (1) giant chunk of text in one translation, followed by (2) smaller chunk in another, followed by (3) discussion of Yahwist (sp?) versus some other redactor--dang! I snore, just typing it.I think I was expecting (1) [...]

    I don't know why I read anything by Harold Bloom - he's just a hard read for me. But I always learn something, as I did in reading this book. ADDENDUM: Now, about six months after finishing this book, I have changed my rating to 4-stars. As a book, it's one thing - but considering the long-term effect it has had on me, wellat's something else. I picked up this book at a time in my life when I was looking for something to salvage in my relationship with the Bible, and I found it here. Who knew? I [...]

    The introduction was extremely helpful to me. It is necessary to have access to a dictionary and an encyclopedia close by both of which I used online frequently. If you read Greek and Latin; are a scholar of the Talmud and other Hebrew writings; intimately familiar with a number of ancient and modern poets; have already read much of the Old Testament in the the KJB version; and are a Shakespeare scholar, these tools are not necessary.I am none of the above but that did not decrease my enjoyment [...]

    This is a great source for research on the topic, but I would not recommend it for general study. Bloom is certainly critical and not very appreciative. The New Testament section is much too brief. I felt that it was more of a literary appreciation of the Tyndale Bible than the KJV which used much of Tyndale's work. KJV-only types will be challenged if they are attracted to the book due to the title.

    This appreciation of the King James Bible does not hang together as well as I had hoped it would. Even so, it is well worth reading, especially to gain insight into how the KJB has influenced our thinking, despite being a rather poor translation of much of the original material. An important read for those who view the KLB as literature.

    Mind-boggling amounts of insight into the architecture, authorship and trivia of the Christian Bible. This guy is able to compare several Bibles in English to the original. Erudition beyond erudition and about erudition, but its all very readable with a great deal of insight. This is really one that we should call a great book.

    Sad that after 60 years of writing about literature, that a book "I have been writing all my life" is so tepid, contains so little original thought, and is wrought throughout with statements such as "Shakespeare is my scripture, but I cannot believe in the Bible."

    I enjoy Harold bloom, even if I cannot relate to what he is saying nor agree with it. With few scattered exceptions I found this book to be a complete bore, without passion and without effort. I was disappointed.

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